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The love for Bollywood masalas and high intensity Hollywood movies erodes the viewers differently. Kollywood or K-wood which is also already an eminent industry in south India creates psychological hurdles. The viewer fascination for Hollywood/Bollywood actor/actress deprives Nepali film makers of huge mass. Besides, the internationally fame artist are fond of philanthropy which makes them reel-real hero where many desire to be like one of them. The association of reel to real drags the audiences to watch (his/her) movies and feel them more closely.

It’s queer to see huge crowd in a queue during the film festival season. I had to ponder for quite a long time seeing the demand of the film festival. Was it because the tickets were low-priced? Or was it because the films were presented so well? The fraternity should think and decide.

Another important aspect is “the multiplexes”. The cinemagoers at the multiplexes are middle, upper middle, influential and high social class people who’d alter themselves to see Hindi/English movie rather than Nepali movies. Though, to some extent, the Nepali films have craved their path and pull the Bollywood/Hollywood audiences, multiplexes alone are not sufficient to make it commercial. At the same time, the changes that the New makers are vying for has created a freedom on other makers to make “films of their choices” and divert the audiences from the general grip. No wonder, the non-multiplexes cinema makers are making money at the cost of New Cinema Makers who concentrated more on quality.

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