१ माघ मुम्बई । 

पुलकित सम्राट, यामी गौतम र उर्वशी रौतेलाको आगामी दिन मा रिलिज हुने चलचित्र को हट गीत यू टुब मा राख्न साथ भाईरल भएको छ । हाल सम्म करीब ६,९९२,४९५ दर्शकले हेरी सकेका उक्त भिडियो । उक्त गीतमा पुर्व मिस ईन्डिया उर्वशी रौतेलाको सेक्सी हावभावमा बाथरूममा नुहाएको द्रिश्य समाबेस गरिएको छ । हेर्नुहोस् भिडियो :-     

ब्रिटिश अभिनेता एलेन रिकम्यानको ६९ बर्षको उमेरमा क्यान्सरबाट मृत्यु ।

The 36-year-old told The Straits Times: "My parents saw the pictures of destruction, so they were worried. But I also have family here (in Nepal), and you don't leave family behind." Ms Wong stayed on and helped in the relief efforts.Most recently, she tied up with the YMCA of Singapore and introduced volunteers to Living Hope Nepal, a non-governmental organisation founded by her father-in- law, Mr Surya Lal Shrestha, 72.After the Nepal earthquake on April 25, Singaporean Caroline Wong's parents wanted her to move back home to Singapore.However, the teacher who has been living in Nepal since 2012 and is married to local businessman Wilson Shrestha said no.

For a week, they built shelters in a village affected by the quake.What she likes most about Nepal is the community spirit of its "very hospitable" people, she said."In Singapore, I feel that we don't really build relationships with our neighbours. But here, you really get to know people around you."She first visited Nepal on a mission trip in 2010, and volunteered at a children's home where she met her husband, whose church had hosted the volunteers.The pair kept in touch after she returned home. Love blossomed, and she decided to move to Nepal after they married in November 2012.

It could so nearly have been Tripped (E4), a comic sci-fi adventure in which Blake Harrison from The Inbetweeners plays a young man about to commit to his grownup life when he is suddenly sucked into a multidimensional portal. He and stoner pal Milo (played by newcomer George Webster) are hurled from one parallel reality to the next, trying to evade an evil assassin called Callum (Richard Gadd) who, for reasons not yet clear, must vanquish every version of them in every dimension.

It has some of the glee of Bill & Ted and some of the imagination of co-writer Jamie Mathieson’s outstanding Doctor Who episodes, Mummy on the Orient Express and Flatline. But it is co-written, rather oddly, by Jack and Harry Williams, the brothers responsible for BBC1’s The Missing, that harrowing drama series about child abduction starring James Nesbitt. Perhaps the Williams’ grounding in dour domestic saga was supposed to mingle with Mathieson’s demonstrable sci-fi ingenuity to create a rewarding hybrid. But what ends up on screen is a nearly funny, almost-engaging compromise, neither truly hitting the funny bone nor giving itself over to all-action drama. I note with a sinking heart that Mathieson’s name doesn’t appear on any future episodes past this lively but hit-and-miss opener.

When Disney released an explanatory teaser for 2016’s “Zootopia”, one could almost hear the sound of a billion DeviantArt accounts whirring to life. After all, Rule 34 — “if it exists, there is porn of it, no exceptions” — decrees that every Disney project has already titillated the imaginations of the internet’s fan-art collective, but something very special is afoot in “Zootopia”. The film’s teaser alone reads like an explanation of the furry manifesto: that anthropomorphized animals can be sexualized and identified with as easily as humans. Jason Bateman’s characteristically sly voiceover explains anthropomorphization, which furries tend to lovingly call “anthro.” He further illustrates a world where humans “never existed.” There’s even a playful bit about being naked, and a fox forgets to zip his fly.

According to a report on Mumbai Mirror, Vinod Bachchan had roped in Sunny Leone a fortnight ago for his comic caper which will mark the directorial debut of Ikram Akhtar who has penned the Salman Khan-starrer, Ready, and Akshay Kumar's, Thank You. A source revealed that Sunny plays a Punjabi girl who even though has studied abroad, sports a traditional wardrobe and her dialogue will be sprinkled with some Punjabi tadka. The source further added that despite the 'sanskari' image, Sunny will steam up the imagination of the three friends and also the male audience. 

Former adult star Sunny Leone is known for her bold characters on screen. The sizzling beauty made her Bollywood debut with Pooja Bhatt's erotic thriller, Jism 2. As of 2015, Leone had several projects in production. She has completed work on Milap Zaveri's adult comedy, Mastizaade, which is all set to release in January 2016. She has also completed filming for Dholakia's action thriller, Tina and Lolo. Leone is currently shooting for Rajeev Chaudary's, Beiimaan Love, opposite Rajneesh Duggal. 

Kabaddi Kabaddi is the continued story of Kabaddi’s Kaji and Maiya. Retelling the same unrequited love story and romance of the two could have been dull but Rambabu Gurung has written the story brilliantly and articulately, and with intrigue and has directed with the same passion. As such the story has evolved along with the characters. The screenplay by director Gurung and Upendra Subba is also noteworthy.The character of Bum Kaji, politics and sub-plots of Kaji’s two friends with tidbits of music and action have been mixed to the love story. This nice mixology brings life to the film and thumbs up for it!

Also, the nuanced message of how politics works and how a husband and wife should be is a breather.However, there are a few things that don’t add up. Maiya is the same and hasn’t matured despite going through a lot in the first film. Bibek’s character (Nischal Basnet) again makes an appearance as Bum Kaji’s friend but their relationship hasn’t been explored to rest the curiosity of the audience. Perhaps, there is room for another Kabaddi film.

But Kaji is as lovely as before. You will feel for him and love him despite knowing how useless he is. This role is proof that Rai is the king of comedy — bringing diversity in comic roles, he has the knack for executing his act with ease.

The furnaces of this generation are burning more than the furnaces of Auschwitz, more than the cellars of the inquisition with all their tortures, these are spiritual furnaces,” Rabbi Aviezer Peletz was quoted by the Kikar Hashabbat news website as having said at the conference held on Wednesday.The remarks were reported amid a growing furor in the haredi world over Education Ministry efforts to prevent discrimination against teenage girls in high schools.

Haredi activists close to the United Torah Judaism party are pressing to cancel a unit set up by a previous minister to try and stop a quota system used to limit admissions of Sephardic young women to haredi secondary schools.Anti-discrimination activists have for many years accused these schools of setting a quota of 25 to 35 percent for the number of these young women these haredi schools will accept each year.In the last two years, the ministry, led by the director of the Haredi Department, Meir Shimoni, won several significant battles on the issue, in Jerusalem and Elad, by threatening to cease funding for schools that rejected local government requests to accept Sephardi girls as pupils.

The activists are now concerned that an unsuitable UTJ loyalist will be hired to replace Shimoni, following heavy pressure by the Association of Seminars and principals on the rabbinic leadership to preserve the high schools’ independence regarding student admissions.Last week, the Councils of Torah Sages for both Ashkenazi haredi political movements, Degel Hatorah and Agudat Yisrael, said they would cease cooperating with the Education Ministry until it stopped what they called its “interference” in the operation of the haredi high schools for girls.

The love for Bollywood masalas and high intensity Hollywood movies erodes the viewers differently. Kollywood or K-wood which is also already an eminent industry in south India creates psychological hurdles. The viewer fascination for Hollywood/Bollywood actor/actress deprives Nepali film makers of huge mass. Besides, the internationally fame artist are fond of philanthropy which makes them reel-real hero where many desire to be like one of them. The association of reel to real drags the audiences to watch (his/her) movies and feel them more closely.

It’s queer to see huge crowd in a queue during the film festival season. I had to ponder for quite a long time seeing the demand of the film festival. Was it because the tickets were low-priced? Or was it because the films were presented so well? The fraternity should think and decide.

Another important aspect is “the multiplexes”. The cinemagoers at the multiplexes are middle, upper middle, influential and high social class people who’d alter themselves to see Hindi/English movie rather than Nepali movies. Though, to some extent, the Nepali films have craved their path and pull the Bollywood/Hollywood audiences, multiplexes alone are not sufficient to make it commercial. At the same time, the changes that the New makers are vying for has created a freedom on other makers to make “films of their choices” and divert the audiences from the general grip. No wonder, the non-multiplexes cinema makers are making money at the cost of New Cinema Makers who concentrated more on quality.

Kabaddi Kabaddi is the continued story of Kabaddi’s Kaji and Maiya. Retelling the same unrequited love story and romance of the two could have been dull but Rambabu Gurung has written the story brilliantly and articulately, and with intrigue and has directed with the same passion. As such the story has evolved along with the characters. The screenplay by director Gurung and Upendra Subba is also noteworthy.

Kabaddi gave a story of unrequited love of Kaji (Dayahang Rai) for his soltini Maiya last year. As it was a good film with ample humour, the thoroughly entertaining film got all the love from the audience. One year has passed in Naurikot, Mustang and Kaji is back with Kabaddi Kabaddi. His love for Maiya has not changed, but Maiya is no different. She doesn’t reciprocate his feeling. She has a new admirer, Kaji’s rival Bum Kaji. Both the Kajis compete with each other to win Maiya, but who will Maiya choose? The nearly two-hour-long entertaining journey unveils the winner.The character of Bum Kaji, politics and sub-plots of Kaji’s two friends with tidbits of music and action have been mixed to the love story. This nice mixology brings life to the film and thumbs up for it!Also, the nuanced message of how politics works and how a husband and wife should be is a breather.Kabaddi Kabaddi takes you on a fun comical ride filled with laughter, laughter and more laughter. The film tickles your funny bone to the most but without compromising the story and performances which is very rare in Nepali films.

One of the country’s largest egg producers, Minnesota-based Michael Foods, has joined the growing list of companies moving toward cage-free eggs.In a statement Wednesday, Michael Foods’ president and CEO, Jim Dwyer, says “cage-free is emerging as the likely future of the egg industry.” He says customers are increasingly requesting cage-free eggs and egg products. So he says the company, part of St. Louis-based Post Holdings, is working with suppliers to transition to cage-free housing.

The company, whose brands include Crystal Farms, didn’t announce a timeline.The Humane Society of the United States welcomed the announcement. CEO Wayne Pacelle (pah-SEL’-ee) says it means a brighter future for hens.Other large food companies have announced similar steps. Minnesota-based General Mills said Nov. 24 that it has set a deadline of 2025.

High quality global journalism requires investment. Please share this article with others using the link below, do not cut & paste the article. See our Ts&Cs and Copyright Policy for more detail. Email ftsales.support@ft.com to buy additional rights. Sunita Tamang sold her jewellery and borrowed from her neighbours to make the journey from her village in the shadow of the Himalayas to the parched heat of Kuwait.
She hoped to raise money for her five children and ailing husband by working as a maid for at least six times the average wage back home in Nepal.High quality global journalism requires investment. Please share this article with others using the link below, do not cut & paste the article. See our Ts&Cs and Copyright Policy for more detail. Email ftsales.support@ft.com to buy additional rights.

she said. “I thought: ‘I can earn, I’m healthy.’ I went so I could educate the children. I returned with nothing.”
Ms Tamang never received a penny. Instead she became one of thousands of people trafficked from Nepal and elsewhere to the rich nations of the Gulf.In case after case relatively unsophisticated men and women from poor backgrounds are persuaded to make the trip, only to take on large and mysterious debts and then find themselves at the mercy of the employers who sponsor their visas.It is like 21st century slavery,” says Manju Gurung, a founding member of Pourakhi, an organisation of returning Nepali women. “Once you enter your sponsor’s house, all passports and ID will be confiscated in the name of protection. The problems will start from there.”

Pakistan boasts of an incredible pool of talented models and actresses. What makes them truly exceptional are the rare combination of natural beauty and brilliant acting skills. With Mahira Khan (will debut opposite superstar Shah Rukh Khan with 2016 release Raees) making to the successful Hindi cinema industry, Bollywood, there are many more who the Indian filmmakers and audiences would love to see in their movies. We take a look nine gorgeous divas from our neighboring country that would make perfect B-town heroines.

Singer Adele has buried the hatchet and moved on from the incident when Phil Collins called her a "slippery little fish". She says there is no bad blood between them.Adele denied snubbing Collins for her album "25" after he called her a "slippery little fish". Collins remarks came after Adele apparently dropped their collaboration, reports femalefirst.co.uk.The "Hello" hitmaker worked with Collins last year, before she officially began recording her record-breaking third LP.

Adele now claims that the reason the track didn't make the cut was because she wasn't "ready" and was prioritising looking after her three-year-old son Angelo with husband Simon Konecki.I think he interpreted it that I decided I didn't want to work with him, but actually I decided I didn't want to write a record, period, at that point. But yeah, there's no bad blood there, or certainly not on my half," the Rollingstone Magazine quoted the 27-year-old as saying.